Since learning about the impact of conversation patterns on students, I have become more deliberate about structuring the environment so that my students manage their own learning. I have become better at identifying what I must do to introduce curriculum and then releasing students to teach themselves. This isn't always easy. One of my struggles has been around Language and genre. How on earth can students teach themselves the structure of an unfamiliar genre? I decided to use a character sketch as a test of how to do this.
We began with the word 'characteristics'. Students worked in groups to uncover its meaning.
1. What do you think it means?
2. What are associated words?
3. What doesn't it mean?
4. How might the word be used in Science? in Language? in Math?
Next we took one of the associated words, 'character', for small group discussion. I gave them conversation prompts:
1. What are some of your favourite characters from books and movies?
2. Who are the most vile villains?
3. Who are some very weak characters?
The next day, I used this link to help learners understand the kinds of things one might include when discussing a character. I asked them to picture a friend, foe or family member and privately consider:
Next we looked at the structure of the Science essays they had recently submitted.
Since students have been learning to code, we created an algorithm for the structure.
Finally students worked in groups with the Rowen character sketch to figure out its structure.
I reminded them of the conversation pattern necessary for learning and had them plan for group dynamics.
Groups set to work and I was astounded at the level of conversation between students as they deconstructed the text.
After 20 minutes we regrouped and gathered ideas. I added the word psychological but the rest came from the students.
When I think of the number of times I've stood at the front and told students how to structure a character sketch, I cringe.
Students are now watching the film, The City of Embers, with the intent of writing a character sketch for one of the characters. We began watching before deconstructing the Rowen text which means a few students are faced with a dilemna; the character they have chosen doesn't change.
This is the perfect time to introduce flexibility and creativity into the learning. A mental model works until it doesn't. Then what? Students must learn not to become attached to their models.
This is my opportunity to introduce the types and purpose of characters. Students will work in groups to invent a 5 paragraph character sketch format for a flat character. The character sketch has become a problem solving activity.
We began with the word 'characteristics'. Students worked in groups to uncover its meaning.
1. What do you think it means?
2. What are associated words?
3. What doesn't it mean?
4. How might the word be used in Science? in Language? in Math?
Next we took one of the associated words, 'character', for small group discussion. I gave them conversation prompts:
1. What are some of your favourite characters from books and movies?
2. Who are the most vile villains?
3. Who are some very weak characters?
The next day, I used this link to help learners understand the kinds of things one might include when discussing a character. I asked them to picture a friend, foe or family member and privately consider:
- gender, age and name
- appearance
- physical and personal strengths and weaknesses
- likes and dislikes
- feelings and behaviours towards other characters
- feelings of other characters towards the character
- feelings of character towards himself/herself
- personality at the beginning of the novel
- changes in personality as story progresses
- your opinion about the character
This was a visualization exercise, not something to be shared with the class. Students were free to take risks with their thoughts!
We then read the Rowen character sketch looking for evidence of the above.
Today when students met, I gave them the task of figuring out the structure of a character sketch. We began by looking at the structure of narrative.
Next we looked at the structure of the Science essays they had recently submitted.
Since students have been learning to code, we created an algorithm for the structure.
Finally students worked in groups with the Rowen character sketch to figure out its structure.
I reminded them of the conversation pattern necessary for learning and had them plan for group dynamics.
Groups set to work and I was astounded at the level of conversation between students as they deconstructed the text.
After 20 minutes we regrouped and gathered ideas. I added the word psychological but the rest came from the students.
When I think of the number of times I've stood at the front and told students how to structure a character sketch, I cringe.
Students are now watching the film, The City of Embers, with the intent of writing a character sketch for one of the characters. We began watching before deconstructing the Rowen text which means a few students are faced with a dilemna; the character they have chosen doesn't change.
This is the perfect time to introduce flexibility and creativity into the learning. A mental model works until it doesn't. Then what? Students must learn not to become attached to their models.
This is my opportunity to introduce the types and purpose of characters. Students will work in groups to invent a 5 paragraph character sketch format for a flat character. The character sketch has become a problem solving activity.










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